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WT 017/018

When I was eight or nine years old – sometime in the middle of the 70’s – my mother decided to put up one teenage girl from the village for a night in our house. The girl disappeared somewhere early in the morning and I did some indecent thing – I peeped into the inconspicuously looking notebook lying next to her bed. To my surprise it turned out to be full of obscene lyrics of songs – they were all sensational but there was one that made such an ineffaceable impression on me that I just can’t waive it aside till today.

It looked something like this:

Sato dżabelka de de of ma la ka
ju lof isma s
ła me mo i
Sato d
żabelka blu let i ma la ka
sam deja reto wej en zi...

It seemed much more interesting than the lines about forest brigands with very long…beards. My eyes stood out like chapel hat-pegs though when I noticed the caption underneath (I already spoke English well at that time). These were – according to the owner of the notebook – lyrics of “Sun of Jamaica”, the song by Boney M.

Here’s the original version for those of you who don’t know it:

Sun of Jamaica, the dreams of Malaika,
Your love is my sweet memory.
Sun of Jamaica, Blue Lady Malaika,
Someday I'll return, wait and see.

My conviction that there probably are lots of things in life that will surprise me in future must have been born then.

Actually I don’t really know why has this memory come back to me now but I have a feeling that it has some deep connection with the content of this issue of WT. As well as the fact that the bid for redecoration of some institution was won by the company named Komplex-dom. Zmy¶lony Tadeusz (Complex-home Fictitious Thaddaeus ), situtated at Czarne Błoto (Black Mud) street in Zławie¶ Wielka (Great Evilvillage) borough. I have checked on the internet if it’s not a joke – no, it really appears in the register of companies! Well, Mr Ficticious can even take me to court for this but I just had to quote his full personal data here. Another tiny delectable details are that presently in the National Opera, Piotr Beczała (Peter Bleating) sings in “Rigoletto”… Maybe I do have primitive fancies but I truly believe that these are the moments that make life worth living.

But how does it relate to WT then? Jacek B±kowski presents a Book of found objects that became unimportant for their former owners or escaped them. Mirek Stępniak introduces us to his last bits or the first bits which are a perfect embodiment of accidentalism. Żuk Piwkowski opens, also for other artists, his Photomemory project which is on one hand a consequent collection of self-portraits, and on the other – a collection of quite accidental shots of life.

Oh! Then it’s all about the accident, about things that kind of shove themselves into our hands somehow...

So, I’m going to write about an exhibition I’m taking part in – “The sense of one thought”. I know I shouldn’t, just like I shouldn’t have began the previous sentence with “so”, and just like it’s not right to peep into other people’s notebooks or mock their names.

„It’s just the way it is that we, people, like to accumulate things. – wrote Karolina Kozyra, our curator – actually, the word “curator” doesn’t fit here well, the „inspirer” sounds much better. – We collect various objects. The attachment, the need or desire for possession are stronger than common sense and knowing that we don’t really need the ten-year-old New Year’s Eve champagne cork anymore, nor the old holed sweater, nor a cap picked up off street last summer and other finds that we liked or those that were a beginning of some special thought, idea, a start of some creative process or a hope for something”.

Her words – text a bit longer than I quoted – were released into the net by several of her friends and immediately turned some light bulbs in our heads, it woke something up, reminded us of something. Almost anyone who likes creating stuff, even if only once in a blue moon, has projects that cannot “hatch”, take on their final form, while he/she feels internal certainty that they have some sense or a potential, or projects that – just on the contrary – grew out of nothing, out of nonsense, failure or imperfection, from an absolute accident but got transformed into something that is important for him/her now or maybe even representative.

.That is probably why we instantly understood what Karolina meant and this is why this exhibition – although it could be easily misinterpreted as an artistic melting pot at a first glance – is very coherent.

Patrycja Dołowy took pictures of herself when she felt sick, Joanna Korecka instead of crying over the catastrophe that ruined all her family porcelain decided to turn it into a photography series, Marta Zasępa (here I regret we don’t publish in colour) photographed some abstract „holes”, areas of absurd, Kasia Terechowicz used the most banal, esthetically unacceptable objects to make them protagonists of photo adverts, IzaTT arranged her photographs into home altars, Ania Wawrzkowicz put pictures of her school trauma into jars like preserves, Daniel Miter went crazy about yellow vehicles, Karolina herself „recycled” paper boats that she made for some long time invalid reason, and I was chasing a white thread from the past. Briefly speaking, everybody has some fixations and their little story to tell, like my grandmother used to say. The phrase itself is not that much revealing but when you look at all these works of art en masse – something starts to emerge out of it.

The exhibition was organised in the Palace of the Old Book at Działdowska street, which is in itself a sense of one thought, full of potential discoveries and astonishments. In WT we are presenting only one photo of each artist, despite the fact that their work is a typical example of „project” thinking, a cycle. I think though, that in this way they will together make a new composition beyond authorship.

The „Tiles”, project by Majka Parczewska, fits here incredibly well. There is an infinite amount of answers to her question about what art is. And maybe just then, when there is no one definition it’s easier to see the sense. Sam deja reto wej en zi.


Klara Kopcińska

  • publication date:
    author: Jacek B±kowski
    The Book exists. The Book endures. The Book constantly creates itself. The Book collects, hoards, expresses. The Book is everywhere. The Book is barely a manifestation of that Book which is beyond the Book, that Book which is becoming the Book. There are Holy Books and Holy Parts of Holy Books. The Bhagavadgita, Torah, Tao te Ching. There are also Books that are forgotten, lost, damaged, torn, cov

  • publication date: 2007
    author: Ryszard Ługowski
    Performance, 2000. Galeria Działań.In the 90s many of the announced results of the most current astronomical observations surprised specialists all over the world. The scientists observed astonishing celestial objects, active nuclei of distant galaxies quasars. Having investigated their redshifts the astronomers found out the quasars were approximately 20 billion years old. Up till then all the t

  • publication date:
    author: Janusz Zagrodzki
    The more precise we try to be in defining the differences between an artist and a scientist the more difficult it becomes.Ernst H. GombrichThe need to discover the determining laws of the phenomenon of nature results from human creativity that has manifested itself since the beginning of the world. We owe it to the searching done by both: the first artists and the first scientists. The assumption

  • publication date: 1974-08-28
    author: Krzysztof Wojciechowski
    One of the peculiar properties of the holographic recording is its ability to produce a whole image using either the entire hologram or only a small part of it. In other words, the whole recording exists in any one fragment of the hologram. What changes as the fragments become smaller is not the shape of the image but its definition the image becomes less clear (readable) and more grainy.Accordin

  • publication date:
    author: Krzysztof Cichosz


  • publication date: 2007
    author: Józef Żuk Piwkowski


  • publication date: 2007
    author: Gabriela Jarzębowska
    How can we represent time? The problem seems as old as art itself. Desperate attempts to render something that by definition cannot be rendered, especially in a discipline that uses such static forms as plastic arts, have tormented whole generations of artists. From simultaneous scenes in mediaeval paintings in which time was suspended like a biological specimen in formalin, to Giacomo Ballis impr

  • publication date: 2007
    author: Klara Kopcińska
    Tiles by Maria ParczewskaMaria Parczewska is a curator at the Laboratory of Creative Education at the Centre for Contemporary Art in Warsaw, anartist and an art educator. * * *Each of them separately is an interesting artifact but the whole lot makes up the picture of the local community. And this was the aim of Maria Parczewska, when she started her project called in its working draft and finall

  • publication date: 2007
    author: Klara Kopcińska


  • publication date: 27-09-2006
    author: Karolina Kozyra
    Since my early childhood and during my adolescence I have been collecting various kinds of things (and I still do...). All drawers, cabinets and shelves were filled by me with bits of strings, some rusty keys, nails, screws and papers, cuttings, pieces of shoddy photos, slightly gnawed sticks, broken scraps of plastic... this could go on forever. I used to bring from the playground the most bizarr

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