I have noticed a certain regularity. Looking back anthropologically, the river has always drawn a border. Not only a physical border, but also a mental limit.
So people imagined that there was another land on the other riverbank.
I still thought a few days ago that the world had shrinked so that rivers – at least the ones in Europe – could cease to be spheres difficult to get throu
Selected meetings and activities of WARSAWFLOW will take place in the transFORM area.
Contact Improvisation constitutes a form of a dance or a game with unbounded possibilities. Each dance is a journey into the unknown and a sort of dynamic meditation. There is a lack of predictability and commonplace movement schemes are missing here. The body becomes the tool for a study and the one for discov
I wish to take possession of a small area at the righ side of the Vistula at its 513,5 kilometre. I will quite often try to be present there this summer. I will stand up, sit down, look at the water, look around and behind me. I will smile to people who pass. I will talk to them. I will speak and listen. I will ask. I will answer the questions.
On 19 June at 7 p.m. I will reply to the question i
Katrien Van den Brande, Marijke ten Caat, Babette Kleijn, Ilse van der Laan, Serena Lee are five international artists based in the Netherlands. They will create interventions, performances, and sculptural environments from natural material, through experimental and traditional processes, at the Warsaw Vistula Transformation Art Festival, in early June 2010. Basing themselves as nomads along the
It tells the observer a story in a metaphysical and poetical way. The story is about a subtle, sensitive, absurd, beautiful, ordinary human being who needs silence, some space and contact with his or her own body and nature, regardless of the time, the location, the socio-cultural status. He or she is able to regain his or her identity in ambiguity and craziness in the world that has become even
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